Complete Archive
2014 - present
2014 - present
Title | Artist | Publisher | Dimensions | Pages | Year | |
---|---|---|---|---|---|---|
Watering My Horse | Xiaoxiao Xu | The Eriskay Connection | 330 × 220 mm | 112 | 2020 | |
The Feminine Sublime | Eva Ísleifs, Rakel McMahon og Katrín Inga Jónsdóttir Hjördísardóttir | 290 × 210 mm | 174 | 2020 | ||
The realm of nothingness Part I | Susanne Mayer & Jack Kerouac | 210 × 147 mm | ||||
Today: Architectural Propositions | Tamara Sapey | 215 × 140 mm | ||||
Am Kesselgrund der Nacht | Mario Schenker, Salome Eichenberger, Sascha Garzeit | 220 × 155 mm | 2017 | |||
Through the Darkness to the Light | Lubomire Lavrikova | Amsel Verlag | 210 × 145 mm | 2017 | ||
Transformat Kleinbasel | Füssen Ipek, Michel Winerberg | 210 × 146 mm | 2017 | |||
Cast of Characters | Philippe Desarzens, Sam Porritt | side Issues | 200 × 147 mm | 2015 | ||
Yet magazine | Yet Magazine | 210 × 150 mm | 205 | 2014 | ||
Periodico | Marc Asekhame, Teo Schifferli | Marc Asekhame | 255 × 180 mm | 2017 | ||
In Public Restrooms | Birk Weibern | BoD – Books on Demand | 220 × 172 mm | 2015 | ||
Unknown Moods | Miriam J. Carranza, Diane Hillebrand | MOODS Magazine | 248 × 175 mm | 2017 | ||
La théorie de la navette | Luan Banzai, Leila Raverdino | 155 × 135 mm | 35 | 2017 | ||
Issue #4 | Daniel Espinoza | Analog Magazine | 200 × 164 mm | 94 | 2017 | |
The cardboard club | Robert Ridley-Shackleton | 210 × 150 mm | 2017 | |||
Fassade | Tobias Faisst | POOL publishing | 210 × 150 mm | 2017 | ||
Multi styles FuittFuitt | Laurence Yadi, Nicolas Cantillon | bülbooks | 190 × 105 mm | 71 | 2014 | |
Mort | Yvonne Rogenmoser | Zienchen Press | 204 × 145 mm | 2017 | ||
Una dama no tiene memoria | rimera Edición | 160 × 160 mm | 2017 | |||
hand moves orange orange light falls falls on hands | Maud Vande Veire | from me to you publications | 212 × 100 mm | 2016 |